The Asbury Park Library recently hosted an enlightening presentation by artist Charles Trott, titled “Rise of Sleeping Giants.” The event, part of Asian and Pacific Islander History Month, explored the intricate tapestry of the African diaspora and its global connections. In an interview following his presentation, Trott delved into the inspirations, challenges, and future directions of his work, offering a compelling narrative that bridges continents and cultures.

Inspiration and Theme

Trott’s inspiration for “Rise of Sleeping Giants” stems from his reflections on the transformation of countries like China and India. “In the ’60s and ’70s, China and India were considered third-world countries, but now they’re major contenders economically,” Trott explained. “They were sleeping giants that have now awakened.” This theme seamlessly ties into Asian and Pacific Islander History Month, as Trott highlights the historical connections and physical resemblances between Asian and Pacific Islander people and Africans.

Sequoyah Trott watches proudly as her father, Charles Trott, conducts his presentation. Credit: BSB Fotography

African-Centered Perspective

Presenting these stories from an African-centered perspective is crucial for Trott. He cites influential authors like W.E.B. Du Bois and Chancellor Williams, emphasizing the importance of accurately representing Africa’s role in world history. “Africa is always underrated,” Trott stated, recounting an interaction with a European woman who was unaware of the Moors’ history in Spain. His artwork often features maps highlighting Africa, aiming to educate and correct misconceptions. “People don’t know where they are. I want no confusion when I say Africa,” he asserted.

In the ’60s and ’70s, China and India were considered third-world countries, but now they’re major contenders economically. They were sleeping giants that have now awakened.

Charles Trott

Diversity of the African Diaspora

Trott acknowledges the vast diversity within the African diaspora. “Africans don’t all look alike; they have different phenotypes, even before European contact,” he noted. This diversity is a cornerstone of his work, showcasing the various cultural traditions across the continent. His historical insights extend to the impact of Arab and European invasions on Africa, highlighting the collaborative efforts that enabled large-scale slave trade.

Art’s Role in Understanding Diaspora

Trott firmly believes in the power of visual art to enhance understanding and appreciation of diasporic histories. During his presentation, he used images to draw parallels between African and Asian cultures. For instance, he compared the physical features of the San and Khoisan people in Africa with those of East Asian populations. “Art can make these connections visible and tangible,” he explained.

Africans don’t all look alike; they have different phenotypes, even before European contact.

Charles Trott

Future Projects

Looking ahead, Trott is eager to explore the histories of the Moors in southern Spain and the Olmecs in Mexico’s Veracruz region. He also plans to revisit Jamaica to connect with Maroon and Taino communities. These projects aim to uncover and share lesser-known stories of African influence and presence worldwide.

Educational Mission

Trott’s presentations at the Asbury Park Library, which began in 2015, span various history months, including Black History, Women’s History, and Indigenous Peoples’ History. His goal is to spread awareness and knowledge, particularly to younger generations. “The youth will be running the world soon. It’s crucial they understand these histories,” he emphasized.

Charles Trott with guest speaker, Ahan Iyer Credit: BSB Fotography

Intergenerational Connection

Trott values intergenerational dialogue, exemplified by his collaboration with 17-year-old Indian-American musician Ahan Iyer during the presentation. Iyer provided a youth perspective, discussing the views of his peers from different Asian backgrounds. This exchange highlighted the importance of bridging generational gaps to foster a deeper understanding of shared histories.

Conclusion

Charles Trott’s “Rise of Sleeping Giants” is more than an art presentation; it’s a call to recognize and appreciate the rich, interconnected histories of the African diaspora. Through his meticulous research and evocative artwork, Trott invites us to look beyond conventional narratives and embrace a more inclusive view of world history. His work at the Asbury Park Library continues to enlighten and inspire, reminding us that our shared heritage is a tapestry woven with diverse and powerful threads.

Rise of Sleeping Giants


Gallery

Rise of Sleeping Giants – Event Moments Credit: BSB Fotography

BiBiSaran Bennett, a dedicated educator, advocate, skilled photographer and writer, joins the Asbury Park Reporter as a columnist and photographer. With a background in psychology, special education, media design, and event production, she brings creativity, compassion, and a keen eye for storytelling to her reporting. As the owner of BSB Fotography, founder of ZADF and a committed community leader, she embodies a passion for uplifting her hometown of Asbury Park and illuminating the stories that matter most.

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